Showing posts with label WW1. Show all posts
Showing posts with label WW1. Show all posts

Sunday, January 22, 2017

The Great War... Woodrow Wilson on this day 100 years ago...



A Century of November will always have a deep connection with The Great War. Though this day in history 100 years ago isn’t referenced in the story… it will always and forever be remembered…

On January 22nd 1917, U.S. President Woodrow Wilson’s peace note from December had largely been dismissed by both sides.  



President Wilson’s could once more turn his thoughts to Europe, where he hoped, as a powerful neutral actor, to be able to arrange peace on the continent.  Hoping for some sign that the Allies were willing to negotiate, he waited several weeks; in the meantime, the Germans made their own piece offer.

On December 18 1916, Wilson issued his note to the belligerent powers.  He announced himself as “the friend of all nations engaged in the present struggle.” In order to aid further negotiations, he asked all of the powers for a statement of their war aims, and hoped after that to bring them to the negotiating table–though he pointedly did not offer to serve as a mediator.  He stated that future peace could be secured by “the formation of a league of nations to insure peace and justice throughout the world.”

He made his neutrality quite clear, dismissing the grand language that the Allies often used to describe their cause: “The objects which the statesmen of the belligerents on both sides have in mind in this war are virtually the same, as stated in general terms to their own peoples and the world.”  This line struck a nerve with many Allied leaders, even leaving King George in tears.

Although high-minded, Wilson’s note served to exasperate many, even in his own government.  The State Department and even Col. House opposed the move, and tried to downplay its importance in their own discussions with European leaders.  Allied governments were annoyed with the move, while the German government, with its own peace initiative, was divided.  Only the neutral countries, eager for an end to the war at this point, were truly receptive.

As a result, Wilson decided that he would attempt to address “the people of the countries now at war,” in the form of a highly-publicized speech to the US Senate on January 22nd 1917.  



...It must be a peace without victory. It is not pleasant to say this… Victory would mean peace forced upon the loser, a victor’s terms imposed upon the vanquished. It would be accepted in humiliation, under duress, at an intolerable sacrifice, and would leave a sting, a resentment, a bitter memory upon which terms of peace would rest, not permanently but only as upon quicksand. Only a peace between equals can last…



No peace can last, or ought to last, which does not recognize and accept the principle that governments derive all their just powers from the consent of the governed, and that no right anywhere exists to hand peoples about from sovereignty to sovereignty as if they were property… 

There should be a united, independent, and autonomous Poland… So far as practicable, moreover, every great people now struggling toward a full development of its resources and of its powers should be assured a direct outlet to the great highways of the sea.

I am proposing, as it were, that the nations should with one accord adopt the doctrine of President Monroe as the doctrine of the world: that no nation should seek to extend its polity over any other nation or people, but that every people should be left free to determine its own polity, its own way of development–unhindered, unthreatened, unafraid, the little along with the great and powerful. 



I am proposing that all nations henceforth avoid entangling alliances which would draw them into competitions of power, catch them in a net of intrigue and selfish rivalry, and disturb their own affairs with influences intruded from without. There is no entangling alliance in a concert of power. When all unite to act in the same sense and with the same purpose, all act in the common interest and are free to live their own lives under a common protection. 

Wilson proposed that America would help to arrange peace now and to guarantee it in the future.  To deflect isolationist criticism, Wilson framed the language in terms of the founders, saying it is merely an extension of the Monroe Doctrine, and that participation in his proposed “League of Peace” would not be an “entangling alliance” of the sort Washington had warned against in his farewell address.

Wilson’s speech was cheered worldwide by peace advocates, and even by some parties that had largely been committed to the war effort (such as the French Socialists).  In the United States, Democrats hailed the speech, while most Republicans thought that Wilson’s speech was too idealistic, too interventionist, or (in the case of Teddy Roosevelt) outright traitorous.  There was a small coterie of midwestern pacifist Republicans, however, who joined Robert LaFollette in praising it as “the greatest message of a century.”

German Ambassador Bernstorff welcomed the speech, and tried to use it as evidence of American good intentions; he sent desperate pleas back to Berlin to try to postpone the German U-boat offensive that he knew would wreck any chance for an American diplomatic solution.

and then...

and finally Peace Begins...









Saturday, February 27, 2016

A Century of November Jay Wolpert Interview Part 4


This is part 4 of a nearly one-hour uncut interview recorded with one of the people responsible for helping to create one of the most successful and largest Film Franchises in Hollywood History.



He is also credited for the screenplay adaptation of a novel that maintains an iconic stature.



He is the very talented and charismatic screenwriter Jay Wolpert of Pirates of the Caribbean and The Count of Monte Cristo.

Jay shares his thoughts on characters, personality, taking a gamble with producers unhindered by tradition in development of a feature film project entitled A Century of November.


Jay, also chats about his Hollywood experiences, signing a Hollywood screenwriter, building story around character, shooting locations, success, failure, the pressure to deliver a fantastic script and why the world should see this film.







Friday, January 15, 2016

A Century of November Jay Wolpert Interview Part 1



This is part 1 of a nearly one-hour uncut interview recorded with one of the people responsible for helping to create one of the most successful and largest Film Franchises in Hollywood History.

Jay is also credited for the screenplay adaptation of a novel that maintains Iconic stature.

He is the very talented and charismatic screenwriter Jay Wolpert of Pirates of the Caribbean and The Count of Monte Cristo. 

Jay shares his thoughts on his early career as a game show producer, life in Hollywood, story and characters on Gone with the Wind and Casablanca. 

The source material from script to screen, the strength that bonds a father and son and how far would a parent travel and sacrifice to endure the love of a child and family, on the development of a feature film project entitled A Century of November.








Tuesday, September 22, 2015

Journey of a Lifetime Part 1

To look forward is to always remember where we came from and how we came to be where we are today.

Reflecting on this Journey of a Lifetime;

It is nearly five months since Nicolas Awde & Patrick Stark (Producers) signed Hollywood screenwriter Jay Wolpert (Pirates of the Caribbean / The Count of Monte Cristo) to write the film adaptation based on the highly acclaimed novel by award winning American Author W.D. Wetherell’s A Century of November.

Sometimes it’s difficult to take that first step, especially when you are shooting for the stars. When you consider dealing with a commercially successful writer who has helped create one of the largest and most successful box office franchises in film history, that task can seem daunting.

It’s been said that’s it’s not real until you sign on the dotted line, or until you can feel the script in your hands, the idea of making a feature film at this level still seems like a dream.

Where does it all begin to make a feature film? Story and Characters

First, Patrick found the source material that was all about a beautiful Story filled with rich Characters, a novel entitled A Century of November.

Where would a parent’s love for a child end…

Gone with the Wind Meets Saving Private Ryan

It is a story set on the canvas nearing the end of the First World War, of a father who receives word that his only son has been declared “killed/missing”. Leaving his home and peaceful life behind him, journey’s halfway around the world through extraordinary situations to lay to rest any chance that his son was coming home.

The story of any parent whose loved one(s) have journeyed half way around the world, to fight in a dangerous conflict for their country transcends time and even though the novel is set in the past, the story holds many contemporary values of today.

Second, Nick & Patrick secured the option on the novel, giving them the exclusive right to develop the novel into a feature film. This process took about six months and the experience was tremendously rewarding in so many ways.

Nick & Patrick received the blessings from Mary Bisbee-Beek, (Director of Trade Marketing, Publicity and Foreign Rights at University of Michigan Press), and the tremendously talented author, W.D. Wetherell.

Nick & Patrick asked each other what movie, adapted from a novel in recent years, impressed them the most.

Almost simultaneously, they said The Count of Monte Cristo.

Not knowing who the screenwriter was, they quickly looked it up on www.imdb.com to discover that Jay Wolpert not only wrote the adaptation to The Count of Monte Cristo, but he was the first screenwriter hired to adapt Pirates of the Caribbean: Curse of the Black Pearl.

Patrick, having worked in the film industry a long time felt realistic on how Hollywood works, he practically threw up his hands, saying “Forget it; we’ll never get a guy like that to write this script.”
Nick, the eternal optimist, however, has a different way of looking at things and simply suggested sending Jay’s agent the novel. After much prodding, Patrick finally surrendered and sent a FedEx package that included the novel and a small typed letter to Jay inserted inside to Rich Freeman at Paradigm.

When Nick & Patrick sent the novel out to their first choice screenwriter Jay Wolpert to adapt it into a screenplay. They sent the novel to his agent Rich Freeman, they weren’t sure what to expect. Would Jay get the novel or even read it? The reality of this, is that Jay did receive the novel, read it and fortunately loved it as much as Nick & Patrick did. Thank you Rich!

The next step for them, was to move on with an out of sight and out of mind attitude. In the meantime, they continued to pursue many other leads for potential screenwriters, but they could never quite find the right fit for adapting the novel.

Months later, out of the blue, Patrick received a call on his cell phone.

“Patrick? This is Jay Wolpert…Thank you so much for your letter, and I read the book. I loved it. But there’s not a hope in hell that I can adapt this into a script for you. I’m way too busy, and quite frankly, I’m sure you can’t afford me.”
All Patrick could think of was, “Holy shit”. Jay Wolpert is on the phone, he read the book, and he loves it.” The rest of the stuff about not having any time and that we couldn’t afford his rate, etc. seemed to be blocked from his brain. All he could think of to say was, “That’s encouraging.” Jay replied “what do you mean that’s encouraging, I just told you that I can’t do it”. Patrick said “you said you loved the book”

Patrick called Nick immediately.

The fact was, at this moment, they were convinced: A Century of November is gold.

Jay’s call encouraged them to really get to work. They thought that if he likes the book, then other top Hollywood screenwriters would too.

Fortunately for them, before any others could respond, Jay called back, saying that he couldn’t stop thinking about the book, but was still too busy to tackle this project. He also mentioned that if some of his pressing assignments started to clear up, maybe he could consider talking about an adaptation.
Jay also suggested that Nick & Patrick come up with a potential offer, something Jay wouldn’t normally receive from a studio.

They started to think and started to get excited. 

Until…..

Another month later, Jay called once again. “My slate is clean. Let’s negotiate.”

Nick & Patrick came up with the beginnings of a screenwriter deal and Jay flew to Vancouver to meet with them.

Although this meeting was of great importance, Nick had a previous engagement he could not break or reschedule, so Patrick met with Jay.

The meeting was a tremendous success, as they discussed creative story points and what needed to happen to negotiate successfully.

Although it took nearly 10 agonizing months, Nick & Patrick worked out a viable partnership.

Jay signed on to write the adaptation to A Century of November and signed on as an Executive Producer to the film project.

There are some moments from their story that help illustrate that nothing’s impossible: respectful persistence, drive, determination, heart, passion and a never give up attitude is everything.

They have recognized their opportunity.

A Century of November is born...  

Development endures to the next stage…


A Journey of a Lifetime continues…